In-Conversation EVENT

From The Green Room: BARITONES Nathan Gunn
& Eugene Brancoveanu

Join us on ZOOM TUESDAY, MARCH 9th at 6:30pm for an exclusive subscriber event featuring nationally-renowned baritones Nathan Gunn and Eugene Brancoveanu. Moderated by General Director Khori Dastoor, this conversation between two Bay Area favorites will offer fascinating insights into the lives of these working artists and their experiences on and off the stage.

Nathan Gunn

Nathan Gunn has performed many of opera and musical theatre’s greatest roles on the world’s most prestigious stages, including the Metropolitan Opera, the San Francisco Opera, Lyric Opera of Chicago, Houston Grand Opera, Seattle Opera, Royal Opera in London, Paris Opéra, Bavarian State Opera Munich, Theater an der Wien Vienna, Teatro Real Madrid, and Théâtre Royal de la Monnaie Brussels. He has been seen and heard on television, radio, video, and live simulcast performances, including the first ever Met in HD broadcast (The Magic Flute), in which he sang Papageno, one of his signature roles. Nathan has reinterpreted other classic roles such as Billy Budd, Figaro, and Don Giovanni, garnering awards including the Grammy Award for Best Opera Recording (Billy Budd) and the Metropolitan Opera’s first ever Beverly Sills Award. Gunn has also been widely acclaimed for his ability to cross over into musical theatre, including performances with the New York Philharmonic in Carousel and Camelot, the televised celebration of Stephen Sondheim’s 80th birthday, and collaborations with musical theatre stars including Mandy Patinkin, Kelli O’Hara, Audra McDonald, and Kristin Chenoweth. Gunn’s one-man autobiographical show Flying Solo, produced and written by Hershey Felder, has been lauded as a “riveting autobiographical musical [that] is a stunner both with its touching, relatable, family-centric narrative and Gunn’s entertaining, charismatic performing style “ (Broadway World).

Eugene Brancoveanu

Growing up in Romania and Germany, baritone Eugene Brancoveanu studied at the Academy of Music in Transylvania, Romania and at the Mozarteum in Salzburg, Austria before pursuing a successful international career, earning critical acclaim throughout North America and Europe. Career highlights include receiving a Tony Award for Excellence in Theatre for his participation in the principal ensemble (as Marcello) in Baz Luhrmann’s innovative Broadway production of Puccini’s La bohème, and his performance in the title role of Shostakovich’s Orango with the Los Angeles Symphony under the direction of Esa-Pekka Salonen and Peter Sellers, which was recorded for Deutsche Grammophon. Known for his robust voice and superior stagecraft, Brancoveanu was an Adler Fellow at San Francisco Opera for two seasons, directly following his critically acclaimed summer 2004 performances of Tarquinius in Britten’s The Rape of Lucretia with the Merola Opera Program. Discovering Opera San José’s European style Resident Artist program, Brancoveanu was immediately drawn to the organization and appeared as a guest artist as early as 2014. Last season he became a Resident Artist, performing in Strauss’s Die Fledermaus (as Eisenstein), Humperdinck’s Hansel and Gretel (Father), and Verdi’s Il trovatore (Count de Luna).