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Efraín Solís, baritone

I have been surrounded by music my whole life. My father is a church musician to this day and my mother sang in the church choir every week. I can’t think about my childhood without recalling all the music that surrounded me. Plus, I’ve had the benefit of having such dedicated music and acting teachers throughout my life.

I grew up in Southern California and I am so thankful to be back in the Bay Area working with Opera San José on various exciting projects. I really found my voice as a singer in the Bay while studying at the San Francisco Conservatory of Music, Merola Opera Program, and my Adler Fellowship at San Francisco Opera. I learned and grew so much as a person and artist in the Bay and I feel especially thankful to return to a part of the world that I love so much.

Aside from singing I love distance running and practicing yoga. Challenging my mind and body on the road and on my mat keeps me centered, especially when on the road. There’s no better way to discover a city than with a good sweat.

Efraín Solís, Opera San José Resident Artist


Join us on August 30th at 1pm for Opera San José’s premiere live-stream broadcast of our Resident Artist Showcase, a popular annual event featuring music, song, and celebration as we virtually gather to welcome OSJ’s newest company of Resident Artists.

The event will be streamed on on our website and YouTube channel.

This is a free event, open to the public. RSVP using the link, above.


The San Francisco Chronicle exclaims, “For theatrical charisma and musical bravado, it would be hard to top the performance of baritone Efraín Solís.” He is a recent graduate of the San Francisco Opera Adler Fellowship and while with the company, sang his first performances of Papageno in Die Zauberflöte, Dandini in La cenerentola, Schaunard in La bohème, Silvano in Un ballo in mascheraSciarrone in Tosca, and Prince Yamadori in Madama Butterfly. In the 2020-21 season, he joins Opera San Jose as Figaro in Le nozze di Figaro and Charlie in Heggie’s Three Decembers. Future engagements include a return to Opera Southwest, originally scheduled for this season. Last season, he returned to Utah Opera as Lieutenant Audebert in Puts’ Silent Night and Virginia Opera as Di Cosimo in Catán’s Il postino in joining the Cincinnati Song Initiative for a program of songs by Granados and Turina. His debut with the Los Angeles Philharmonic as the Peasant in Schönberg’s Gurrelieder and return to the role of Schaunard in La Bohème with Fort Worth Opera were unfortunately cancelled due to COVID-19 pandemic.

He joined Houston Grand Opera’s HGOCo, New York City Opera, and El Paso Opera as Mark in Martinez’s Cruzar la cara de la luna. Other recent performances for the baritone include Mercutio in Roméo et Juliette with Utah Opera, Opera Carolina, Virginia Opera, and Toledo Opera; Figaro in Le nozze di Figaro with Opera Memphis and Livermore Valley Opera; Slook in La cambiale di matrimonio with Nicholas McGegan conducting Philharmonia Baroque; El Payador in Piazzola’s Maria de Buenos Aires with Opera Southwest, Golaud in Pelléas et Mélisande and Glass’ Hydrogen Jukebox with West Edge Opera; Fiesque in Maria di Rohan with Washington Concert Opera, Gaspar in Rita with the New Century Chamber Orchestra, and Dick in Blitzstein’s The Cradle Will Rock with Opera Saratoga. He joined both Opera Delaware and Baltimore Concert Opera for concerts of opera favorites.

Mr. Solis sang his first performances of Mahler’s Lieder eines fahrenden Gesellen with the Palo Alto Philharmonic and Brahms’ Ein deutsches Requiem as a guest artist at Concordia College. He joined the Berkeley Community Chorus and Orchestra for Britten’s War Requiem and both Las Vegas Philharmonic and New Choral Society for Handel’s Messiah. An active recitalist, he has previous joined the New York Festival of Song for multiple programs of Spanish repertoire and has been presented in a Schwabacher Debut Recital in San Francisco and offered an additional recital program at the El Camino College Center for the Arts.

He is an alumnus of the prestigious Merola Opera Program in association with San Francisco Opera, at which he sang Junius in The Rape of Lucretia and covered Count Almaviva in Le nozze di Figaro. He is also a former member of Opera Santa Barbara’s Studio Artist Program. In 2013, he was a Grand Finalist in the Metropolitan Opera National Council Auditions and sang arias from Rodelinda and Le nozze di Figaro on the famed company’s stage with Marco Armilianto conducting. He was also a finalist in Houston Grand Opera’s Eleanor McCollum Competition and the Loren L. Zachary Society for the Performing Arts National Vocal Competition. He holds a Master of Music from San Francisco Conservatory of Music, at which he sang Guglielmo in Così fan tutte and Mahler’s Lieder eines fahrenden Gesellen and while at Chapman University, his performances included Beethoven’s Mass in C and Puccini’s Messa di Gloria.