Efraín Solís

Baritone

Bio:

The San Francisco Chronicle exclaims, “For theatrical charisma and musical bravado, it would be hard to top the performance of baritone Efraín Solís.” He is a graduate of the San Francisco Opera Adler Fellowship where he sang his first performances of Papageno in Die Zauberflöte, Dandini in La cenerentola, Schaunard in La bohème, Silvano in Un ballo in maschera, Sciarrone in Tosca, and Prince Yamadori in Madama Butterfly. In the 2020-21 season, he joins Opera San Jose and Florida Grand Opera as Charlie in Heggie’s Three Decembers and Utah Opera as Escamillo in La tragédie de Carmen. Future engagements include Figaro in Le nozze di Figaro with Opera San Jose and a return to Opera Southwest, originally scheduled for this season. Last season, he returned to Utah Opera as Lieutenant Audebert in Puts’ Silent Night and Virginia Opera as Di Cosimo in Catán’s Il postino. His debut with the Los Angeles Philharmonic as the Peasant in Schönberg’s Gurrelieder and return to the role of Schaunard in La bohème with Fort Worth Opera were unfortunately cancelled due to COVID-19 pandemic.

In recent seasons he joined Houston Grand Opera, New York City Opera, and El Paso Opera as Mark in Martinez’s Cruzar la cara de la luna, Mercutio in Roméo et Juliette with Utah Opera, Opera Carolina, Virginia Opera, and Toledo Opera, Figaro in Le nozze di Figaro with Opera Memphis and Livermore Valley Opera, Slook in La cambiale di matrimonio with Nicholas McGegan conducting Philharmonia Baroque, El Payador in Piazzola’s Maria de Buenos Aires with Opera Southwest, Golaud in Pelléas et Mélisande and Glass’ Hydrogen Jukebox with West Edge Opera, Fiesque in Maria di Rohan with Washington Concert Opera, Gaspar in Rita with the New Century Chamber Orchestra, and Dick in Blitzstein’s The Cradle Will Rock with Opera Saratoga.

He is an alumnus of the prestigious Merola Opera Program in association with San Francisco Opera, at which he sang Junius in The Rape of Lucretia and covered Count Almaviva in Le nozze di Figaro. A former member of Opera Santa Barbara’s Studio Artist Program, in 2013, he was a Grand Finalist in the Metropolitan Opera National Council Auditions and a finalist in Houston Grand Opera’s Eleanor McCollum Competition. He holds a Master of Music from San Francisco Conservatory of Music and a Bachelor of Music from Chapman University, with a Minor in Spanish and Latin American Literature.

Letter From Efraín

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