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Set in legendary times, this fantasy/allegory takes place in and around
the opposing realms of Sarastro (High Priest of the Temple of Wisdom)
and the Queen of the Night.
ACT I
Prince Tamino, having wandered far from his father’s kingdom, is chased
by a terrifying serpent into the realm of the Queen of the Night. He
faints before the serpent can strike and is subsequently rescued by
three handmaidens of the queen, who tell him that, from afar, their
mistress has recognized his valor. Through them she sends him a
miniature portrait of her daughter, Pamina. Upon seeing it, Tamino falls
instantly in love. During a brief audience with the queen, Tamino is
told that Pamina has been abducted by Sarastro, the evil ruler of an
adjoining kingdom. Vowing to find Pamina and rescue her from the
villainous Sarastro, Tamino sets out with Papageno, a bird-catcher in
service of the queen (and an unwilling accomplice for any task that
takes him out of his accustomed environment). Before their departure the
queen bestows additional gifts: a magic flute for Tamino and, for
Papageno, a set of magical bells. A trio of youthful spirits leads the
way.
Later,
having become separated from Tamino, Papageno finds Pamina and
inadvertently manages to save her from the unpleasant, amorous
attentions of Monostatos, a slave master in the service of Sarastro.
Papageno and Pamina, in flight from Monostatos, encounter Sarastro and
his followers. Tamino, meanwhile, has stumbled upon Sarastro’s temple.
He learns from the Speaker therein that Sarastro is not the evil force
described by the queen. Further, Tamino finds himself strangely drawn to
the ideals expressed by the Speaker. When Tamino and Pamina meet at
last, Sarastro determines to keep them apart until Tamino can, through a
series of tests, prove himself worthy, not only to join the Order, but
also to wed Pamina.
ACT II
Sarastro addresses his fellow priests, revealing that the union of
Tamino and Pamina (though the couple do not know it) is one
long-foretold as the dawn of a golden age of enlightenment.
Tamino and the unwilling Papageno begin the Trials of Fasting and
Silence that will prepare them for the more difficult Trials of Fire and
Water. Papageno, who desires only to enhance the simple delights of
hearth and home with a female companion (his long-sought “Papagena”)
falters. Tamino manages to remain silent and steadfast, but in so doing
he mistakenly leads Pamina to believe that he does not love her. Her
despair at
Tamino’s
imagined rejection is heightened by the continued advances made upon her
by Monostatos. When, subsequently, the queen descends upon her daughter
not only to demand that she kill Sarastro but also to present her with
the murder weapon, Pamina begins to lose her reason. In the face of so
much hardship, she sees suicide as the only alternative. The three
spirits, however, pull her back from the brink of insanity and send her
to join Tamino. As he and Pamina successfully endure the Trials of Fire
and Water, the Queen of the Night and her forces are subdued by Sarastro
and his. Papageno finally finds his Papagena, and, as Tamino and Pamina
are wed, a new age of enlightenment begins.
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