Sometimes a person chooses a career in the arts because parents and teachers encourage them to develop their talent; sometimes it is because of an unusual event. Both of these were the experience of Opera San José’s new resident baritone, Evan Brummel.
Born and raised in La Quinta, California, three-year-old Evan wanted to “solo” when the family sang Christmas carols. “We were a sports-oriented family. No one was musical,” he said, “but my mother, who teaches dance at the high school, encouraged me, and when I was nine she enrolled me in a local children’s choir.” As part of its program, the choir made a recording of 50s and 60s songs, which included Evan’s solo of “Rockin’ Robin.”
At Palm Desert High School he joined a choir, which performed show tunes around the community. He enjoyed that outreach, and likes OSJ’s outreach, too. Brummel also did musical theater at the local junior college while still in high school. “There was no classical music at all in the Palm Springs area,” he notes. When he was a sophomore, he heard The Three Tenors on PBS and was amazed at their sound and expressiveness. “I knew I had singing talent,” he says, “but hearing them made me want to perfect my voice and sing professionally.”
At sixteen Brummel enrolled in a classical music program in Irvine, where he met his first voice teacher, Patrick Goeser, an instructor from Chapman University. After high school, he applied to and was accepted at The Julliard School in New York. While there, he attended performances at the Metropolitan Opera and sat in at a Master Class taught by Luciano Pavarotti, one of his favorite singers. After a year at Julliard he returned to Chapman University to finish his degree, then headed back to New York where he auditioned as often as he could. Sarasota (Florida) Opera hired him and, “While I was there, Joseph Marcheso, an assistant conductor with Opera San José, visited and encouraged me to audition for Opera San José.” He was accepted for the 2011–2012 season, and also placed second in the 2011 Irene Dalis Vocal Competition.
“The famous prologue [Si puo, Signore e Signori- “A word, ladies and gentlemen”] was vigorously sung by Evan Brummel, a sirloin-voiced baritone, as Tonio, the hunchback clown.”
–Richard Scheinin, San Jose Mercury News
A first-year resident and a Jeanne McCann Fellow, Brummel made his debut with Opera San José in November, in the role of Tonio in Pagliacci; he will be singing Germont in La traviata, and Valentin in Faust later in the season. Each is a new role for him, and to prepare, he must translate the libretto into English, then focus on integrating the character’s words and emotions into the musical score. He believes that a good singer starts with good vocal quality, but also must communicate the text and accurately depict the character. “When I see an opera, I ‘study’ the singers and the production because I want to learn and improve,” he said. “Much of my singing is instinctive. I like to focus on how a character is communicating, and develop him.” To date, his favorite roles have been Tonio in Pagliacci, which he loves for the beauty of the music, and the title role in Rigoletto. “I like the vocal difficulty of the latter and the character has lots of emotion.”
Brummel’s favorite opera singers are the now-deceased American baritone Robert Merrill, and the late Italian baritone Piero Cappuccilli, a singer known for his breath control and smooth legato. “Music is a way for singers and musicians to express their emotions, and for the audience to do the same,” he says. “Each person’s life is different and the singer brings those experiences to the characters he or she will be portraying.”
This past summer, Brummel participated in Santa Fe Opera’s Apprentice Program, along with fellow OSJ resident tenor Michael Dailey. He was pleased that his voice teacher from Chapman University came to Santa Fe Opera while he was performing. Earlier, he took first place in the Career Division of the Gwendolyn Roberts Young Artist Auditions of the Los Angeles Chapter of the National Association of Teachers of Singing. He also received an Encouragement Award at the Metropolitan Opera’s National Council Auditions.
Evan Brummel is happy to be back in California where he has many family connections, and he is delighted to be affiliated with Opera San José. He loves that Opera San José residents are given the opportunity to sing many lead roles and perform in the beautiful California Theatre, without having to constantly move from company to company. “It is an opportunity to gain experience and learn my capabilities. I expect to be an opera singer forever.”
La traviata is sponsored by the Applied Materials Foundation