ROBERT MCPHERSON'S performances during the 2004
- 2005 season included the role of Eric in the world premiere of
Nosferatu with the Rimrock Opera Company, Roméo (Roméo et Juliette)
with the Sacramento Opera and a debut performance with the Washington
National Opera as Prince Ramiro in their production of
La Cenerentola.
Additionally,
he appeared with San Antonio Opera for performances of Don Ramiro in
Rossini’s La Cenerentola, a role with which he has a close
association and has performed with several companies. European
performances included his debut in Madrid at the Teatro Real's
production of Elena e Constantino by Charnicer and concert
performances of Rodrigo in Il Viaggio a Reims at the Fundacao de
São Carlos in Lisbon. Most recently, Mr. McPherson cut his first
commercial classical recording under the Albany Records label entitled
Nosferatu.Upcoming
engagements for Mr. McPherson include performances of the role of
Belfiore in Il Viaggio a Reims for his debut with the Stadtheater
Bern, Switzerland, as well as Lindoro (L’Italiana in Algeri)
with both the Opera de Toulon, France, and also with the Washington
National Opera.
In March of 2003, he performed the role
of Rodrigo in La Donna del Lago in Avignon, which also marked the
occasion of his European debut. Other recent notable engagements include
performances of Count Libenskopf in Il Viaggio a Reims in Genoa,
Messiah with Seattle Symphony and Rodrigo in La Donna del Lago
in Genoa. Additionally, he made his debut with the Dallas Opera in 2001
as Arturo Bucklaw (Lucia di Lammermoor), debuted as Ernesto
(Don Pasquale) with the Lyric Opera of Kansas City, sang Tonio
(La Fille du Régiment) with the Spokane Opera, and performed
Almaviva (Il barbiere di Siviglia) with Opera Illinois. In the
summer of 2001, he debuted with the Mostly Mozart Festival in
performances of Schumann’s Das Paradies und die Peri under Gerard
Schwartz. In the spring of 2001, he had the honor of inaugurating a new
opera company, New York’s Henry Street Opera Company, singing the role
of Scipione in Mozart’s rarely performed Il Sogno di Scipione.
Other roles performed include Don Ramiro
(La Cenerentola), Lindoro (L'Italiana in Algeri),
Don Narciso (Il Turco in Italia), Ferrando (Così fan tutte),
Don Ottavio (Don Giovanni), Tamino (Die Zauberflöte), Tom
Rakewell (The Rake's Progress), Sam (Susannah), Curley
(Of Mice and Men), Roméo (Roméo et Juliette), Edgardo (Lucia
di Lammermoor), and Il Duca (Rigoletto).
Equally adept in concert repertoire, Mr.
McPherson made his professional debut with the Seattle Symphony at the
age of twenty-three, and has since performed the Messiah, Bach's
Magnificat, Britten's Serenade for Tenor, Horn and Strings, and the
Shepherd in Stravinsky's Oedipus Rex. He has performed with the Mexico
City Philharmonic, Santa Fe Symphony, American Sinfonietta, Masterworks
Chorale of San Mateo, New West Symphony, Northwest Chamber Orchestra,
and the Carmel Bach Music Festival in such works as Beethoven's Ninth
Symphony, Mozart's Requiem and Coronation Mass, and Haydn’s
Creation.
A world finalist in the 5th Luciano
Pavarotti International Vocal Competition, he was also a winner in the
1998 Ellen Faull Gordon Vocal Competition and the 1997 Metropolitan
Opera National Council's Northwest Regional Auditions. Mr. McPherson is
a native of Seattle, Washington, where he continues his vocal studies
with Mr. William Eddy. |